Essentially, I was writing about the romantic temperament. Jim Willard is so overwhelmed by a first love affair that he finds all other lovers wanting. He can only live in the past, as he imagined the past, or in the future as he hopes it will be when he finds Bob again. He has no present. So whether the first love object is a boy or girl is not really all that important. The novel was not about the city so much as about the pillar of salt, the looking back that destroys. Nabokov handled this same theme with infinitely greater elegance in Lolita. But I was only twenty when I made my attempt, while he was half as old as time. Anyway, my story could only have had a disastrous ending. Obviously, killing Bob was a bit much even though the original narrative was carefully vague on that point. Did he or didn’t he kill him? Actually, what was being killed was the idea of perfect love that had existed only in the romantic’s mind. The other person—the beloved object—had forgotten all about it.

– Gore Vidal, Paris Review

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